Wiki source for ParisNoNos
=====Things to keep you from crashing.=====
//originally created by [[JohnBercik John Bercik]]//
----
**In STOP mode**
- DON'T select a new Native Effect if the current one is open
- DON'T leave the audio window open as a rule.
- DON'T leave the marker window open as a rule.
- DON'T enter record mode without first setting your record path (Ctrl-R)
- DON'T use the name of the project for your recording path
- DON'T save with looping enabled
- DON'T "undo record" while Paris is in the middle of creating overviews for 32 audio tracks 1.5 hours long.... BOOM!
- DON'T try to edit the length or move too many tracks at one time in the edit window...crash city. If you cut them all to the same length that seems to minimize the likelihood of a crash. Save before trying anyway.
- DON'T for some reason messing with the audio window browse slider seems to really tick off Paris most of the time.
----
**During Playback or Recording**
- DON'T leave the audio window open as a rule.
- DON'T leave the marker window open as a rule.
- DON'T change inserts (native or eds)
- DON'T move loop or punch points
- DON'T enable or disable loop or punch
----
**Rendering**
- DON'T render tracks with different lengths
----
**Markers**
- I've also seen bad things happen when messing around too much in the "markers" window. I don't leave it open anymore than is neccessary, and save before deleting or renaming markers.
----
**NoLimit**
- DON'T use 0 or 50 values
----
**Eventiter**
- DON'T transpose up - only down
**Digital Routing**
----
- If you have any digital gear interfacing with the Paris spdif I/O and the RME spdif I/O and you have created a routing matrix between a DAW running as an external FX processor and a control for digital patchbay routing which is controlling the I/O routing between your Paris DAW and your Cubase SX DAW as follows:
Paris Submix 1
Cubase CH 1>RME 1 ADAT 1-1 out > Paris CH 1
Cubase CH 2>RME 1 ADAT 1-2 out > Paris CH 2
Cubase CH 3>RME 1 ADAT 1-3 out > Paris CH 3
Cubase CH 4>RME 1 ADAT 1-4 out > Paris CH 4
Cubase CH 5>RME 1 ADAT 1-5 out > Paris CH 5
Cubase CH 6>RME 1 ADAT 1-6 out > Paris CH 6
Cubase CH 7>RME 1 ADAT 1-7 out > Paris CH 7
Cubase CH 8>RME 1 ADAT 1-8 out > Paris CH 8
Cubase CH 9>RME 1 ADAT 2-9 out > Paris CH 9
Cubase CH 10>RME 1 ADAT 2-10 out > Paris CH 10
Cubase CH 11>RME 1 ADAT 2-11 out > Paris CH 11
Cubase CH 12>RME 1 ADAT 2-12 out > Paris CH 12
Cubase CH 13>RME 1 ADAT 2-13 out > Paris CH 13
Cubase CH 14>RME 1 ADAT 2-14 out > Paris CH 14
Cubase ST CH 15L/ Stereo Group 1 L> RME 1 ADAT 2-15 out > Paris CH 15
Cubase ST CH 15R/ Stereo Group 1 R> RME 1 ADAT 2-16 out > Paris CH 16
Paris Submix #2
Cubase CH 16>RME 1 ADAT 3-17 out > Paris CH 1
Cubase CH 17>RME 1 ADAT 3-18 out > Paris CH 2
Cubase CH 18>RME 1 ADAT 3-19 out > Paris CH 3
Cubase CH 19>RME 1 ADAT 3-20 out > Paris CH 4
Cubase CH 20>RME 1 ADAT 3-21 out > Paris CH 5
Cubase CH 21>RME 1 ADAT 3-22 out > Paris CH 6
Cubase CH 22>RME 1 ADAT 3-23 out > Paris CH 7
Cubase CH 23>RME 1 ADAT 3-24 out > Paris CH 8
Using RME HDSP 9652 Card #2 bussing to Paris Submix 2 AND 3
Cubase CH 24>RME 2 ADAT 1-1 out > Paris CH 9
Cubase CH 25>RME 2 ADAT 1-2 out > Paris CH 10
Cubase CH 26>RME 2 ADAT 1-3 out > Paris CH 11
Cubase CH 27>RME 2 ADAT 1-4 out > Paris CH 12
Cubase CH 28>RME 2 ADAT 1-5 out > Paris CH 13
Cubase CH 29>RME 2 ADAT 1-6 out > Paris CH 14
Cubase CH 30>RME 2 ADAT 1-7 out > Paris CH 15
Cubase CH 31>RME 2 ADAT 1-8 out > Paris CH 16
Paris Submix #3
Cubase CH 32>RME 2 ADAT 2-9 out > Paris CH 1
Cubase CH 33>RME 2 ADAT 2-10 out > Paris CH 2
Cubase CH 34>RME 2 ADAT 2-11 out > Paris CH 3
Cubase CH 35>RME 2 ADAT 2-12 out > Paris CH 4
Cubase CH 36>RME 2 ADAT 2-13 out > Paris CH 5
Cubase CH 37>RME 2 ADAT 2-14 out > Paris CH 6
Cubase CH 38>RME 2 ADAT 2-15 out > Paris CH 7
Cubase CH 39>RME 2 ADAT 2-16 out > Paris CH 8
Cubase CH 40>RME 2 ADAT 3-17 out > Paris CH 9
Cubase CH 41>RME 2 ADAT 3-18 out > Paris CH 10
Cubase CH 42>RME 2 ADAT 3-19 out > Paris CH 11
Cubase CH 43>RME 2 ADAT 3-20 out > Paris CH 12
Cubase CH 45>RME 2 ADAT 3-21 out > Paris CH 13
Cubase CH 46>RME 2 ADAT 3-22 out > Paris CH 14
Cubase ST CH 47L/ Stereo Group 2 L> RME 3 ADAT 3-23 out > Paris CH 15
Cubase ST CH 48R/ Stereo Group 2 R> RME 3 ADAT 3-24 out > Paris CH 16
... then you need to remember to turn on all of the external digital procesors that are interfacing with Paris and Cubase through the digital patchbay or directly before you turn on your external word clock module, followed by booting the DAW which is running the control panel for your digital patchbays and starting the digital FX processors in this box, then boot your Paris DAW, launch the Paris app and then boot your Cubase DAW and launch cubase. If you don't do it in this order, Paris will crash.....and I'm pretty pissed that this was nowhere in the manual.
//originally created by [[JohnBercik John Bercik]]//
----
**In STOP mode**
- DON'T select a new Native Effect if the current one is open
- DON'T leave the audio window open as a rule.
- DON'T leave the marker window open as a rule.
- DON'T enter record mode without first setting your record path (Ctrl-R)
- DON'T use the name of the project for your recording path
- DON'T save with looping enabled
- DON'T "undo record" while Paris is in the middle of creating overviews for 32 audio tracks 1.5 hours long.... BOOM!
- DON'T try to edit the length or move too many tracks at one time in the edit window...crash city. If you cut them all to the same length that seems to minimize the likelihood of a crash. Save before trying anyway.
- DON'T for some reason messing with the audio window browse slider seems to really tick off Paris most of the time.
----
**During Playback or Recording**
- DON'T leave the audio window open as a rule.
- DON'T leave the marker window open as a rule.
- DON'T change inserts (native or eds)
- DON'T move loop or punch points
- DON'T enable or disable loop or punch
----
**Rendering**
- DON'T render tracks with different lengths
----
**Markers**
- I've also seen bad things happen when messing around too much in the "markers" window. I don't leave it open anymore than is neccessary, and save before deleting or renaming markers.
----
**NoLimit**
- DON'T use 0 or 50 values
----
**Eventiter**
- DON'T transpose up - only down
**Digital Routing**
----
- If you have any digital gear interfacing with the Paris spdif I/O and the RME spdif I/O and you have created a routing matrix between a DAW running as an external FX processor and a control for digital patchbay routing which is controlling the I/O routing between your Paris DAW and your Cubase SX DAW as follows:
Paris Submix 1
Cubase CH 1>RME 1 ADAT 1-1 out > Paris CH 1
Cubase CH 2>RME 1 ADAT 1-2 out > Paris CH 2
Cubase CH 3>RME 1 ADAT 1-3 out > Paris CH 3
Cubase CH 4>RME 1 ADAT 1-4 out > Paris CH 4
Cubase CH 5>RME 1 ADAT 1-5 out > Paris CH 5
Cubase CH 6>RME 1 ADAT 1-6 out > Paris CH 6
Cubase CH 7>RME 1 ADAT 1-7 out > Paris CH 7
Cubase CH 8>RME 1 ADAT 1-8 out > Paris CH 8
Cubase CH 9>RME 1 ADAT 2-9 out > Paris CH 9
Cubase CH 10>RME 1 ADAT 2-10 out > Paris CH 10
Cubase CH 11>RME 1 ADAT 2-11 out > Paris CH 11
Cubase CH 12>RME 1 ADAT 2-12 out > Paris CH 12
Cubase CH 13>RME 1 ADAT 2-13 out > Paris CH 13
Cubase CH 14>RME 1 ADAT 2-14 out > Paris CH 14
Cubase ST CH 15L/ Stereo Group 1 L> RME 1 ADAT 2-15 out > Paris CH 15
Cubase ST CH 15R/ Stereo Group 1 R> RME 1 ADAT 2-16 out > Paris CH 16
Paris Submix #2
Cubase CH 16>RME 1 ADAT 3-17 out > Paris CH 1
Cubase CH 17>RME 1 ADAT 3-18 out > Paris CH 2
Cubase CH 18>RME 1 ADAT 3-19 out > Paris CH 3
Cubase CH 19>RME 1 ADAT 3-20 out > Paris CH 4
Cubase CH 20>RME 1 ADAT 3-21 out > Paris CH 5
Cubase CH 21>RME 1 ADAT 3-22 out > Paris CH 6
Cubase CH 22>RME 1 ADAT 3-23 out > Paris CH 7
Cubase CH 23>RME 1 ADAT 3-24 out > Paris CH 8
Using RME HDSP 9652 Card #2 bussing to Paris Submix 2 AND 3
Cubase CH 24>RME 2 ADAT 1-1 out > Paris CH 9
Cubase CH 25>RME 2 ADAT 1-2 out > Paris CH 10
Cubase CH 26>RME 2 ADAT 1-3 out > Paris CH 11
Cubase CH 27>RME 2 ADAT 1-4 out > Paris CH 12
Cubase CH 28>RME 2 ADAT 1-5 out > Paris CH 13
Cubase CH 29>RME 2 ADAT 1-6 out > Paris CH 14
Cubase CH 30>RME 2 ADAT 1-7 out > Paris CH 15
Cubase CH 31>RME 2 ADAT 1-8 out > Paris CH 16
Paris Submix #3
Cubase CH 32>RME 2 ADAT 2-9 out > Paris CH 1
Cubase CH 33>RME 2 ADAT 2-10 out > Paris CH 2
Cubase CH 34>RME 2 ADAT 2-11 out > Paris CH 3
Cubase CH 35>RME 2 ADAT 2-12 out > Paris CH 4
Cubase CH 36>RME 2 ADAT 2-13 out > Paris CH 5
Cubase CH 37>RME 2 ADAT 2-14 out > Paris CH 6
Cubase CH 38>RME 2 ADAT 2-15 out > Paris CH 7
Cubase CH 39>RME 2 ADAT 2-16 out > Paris CH 8
Cubase CH 40>RME 2 ADAT 3-17 out > Paris CH 9
Cubase CH 41>RME 2 ADAT 3-18 out > Paris CH 10
Cubase CH 42>RME 2 ADAT 3-19 out > Paris CH 11
Cubase CH 43>RME 2 ADAT 3-20 out > Paris CH 12
Cubase CH 45>RME 2 ADAT 3-21 out > Paris CH 13
Cubase CH 46>RME 2 ADAT 3-22 out > Paris CH 14
Cubase ST CH 47L/ Stereo Group 2 L> RME 3 ADAT 3-23 out > Paris CH 15
Cubase ST CH 48R/ Stereo Group 2 R> RME 3 ADAT 3-24 out > Paris CH 16
... then you need to remember to turn on all of the external digital procesors that are interfacing with Paris and Cubase through the digital patchbay or directly before you turn on your external word clock module, followed by booting the DAW which is running the control panel for your digital patchbays and starting the digital FX processors in this box, then boot your Paris DAW, launch the Paris app and then boot your Cubase DAW and launch cubase. If you don't do it in this order, Paris will crash.....and I'm pretty pissed that this was nowhere in the manual.
